1. Portrait of Beatrice Cenci,
Housed in the Galleria Nazionale d'Arte Antica, Rome
2. Angel of the Annunciation
Oil on canvas, 58,5 x 46,5 cm
Landesmuseum, Oldenburg
3. Virgin of the Annunciation
Oil on canvas, 58,5 x 46,5 cm
Landesmuseum, Oldenburg
4. Ecce Homo
1639-40 Oil on canvas, 60 x 45 cm
Mus饠du Louvre, Paris
5. Atalanta and Hippomenes c. 1612 Oil on canvas, 206 x 297 cm Museo del Prado, Madrid
6. Atalanta and Hippomenes 1622-25
Oil on canvas Museo Nazionale di Capodimonte, Naples
7. Aurora 1614
Fresco Casino Rospiglioso, Palazzo Pallavicini, Rome
8. Drinking Bacchus c. 1623
Oil on canvas, 72 x 56 cm Gemäldegalerie, Dresden
9. The Boy Bacchus 1615-20
Oil on canvas, 87 x 70 cm Galleria Palatina (Palazzo Pitti), Florence
10. Baptism of Christ c. 1623
Oil on canvas, 263,5 x 186,5 cm
Kunsthistorisches Museum, Vienna
11. St Cecilia 1606
Oil on canvas, 94 x 75 cm
Norton Simon Museum of Art, Pasadena
12. Cleopatra with the Asp
c. 1630 Oil on canvas, 113,7 x 94,9 cm
Royal Collection, Windsor
13. The Death of Cleopatra 1625-30
Oil on canvas, 124 x 94 cm
Neues Palais, Potzdam
Oil on canvas, 220 x 145 cm
Mus饠du Louvre, Paris
16. St Francis Consoled by Angelic Music
1605-10 Oil on copper, 44 x 43 cm
Pinacoteca Nazionale, Bologna
17. Girl with a Rose
Oil on canvas, 81 x 62 cm
Museo del Prado, Madrid
18. The Glory of St Dominic 1613
Fresco San Domenico, Bologna
19. Hercules on the Pyre 1617-19
Oil on canvas, 260 x 192 cm
Mus饠du Louvre, Paris
20. Hercules Vanquishing the Hydra of Lerma
1617-20 Oil on canvas, 260 x 192 cm
Musdu Louvre, Paris
21. The Rape of Deianira 1617-19
Oil on canvas, 239 x 193 cm
Musdu Louvre, Paris
1611 Oil on canvas, 268 x 170 cm
Pinacoteca Nazionale, Bologna
23. St Joseph
Oil on canvas
Basilica dei Santi Giovanni e Paolo, Venice
24. St Joseph with the Infant Jesus
1620s Oil on canvas, 126 x 101 cm
The Hermitage, St. Petersburg
25. The Penitent Magdalene
1635 Oil on canvas, 91 x 74 cm
Walters Art Museum, Baltimore
26. The Gathering of the Manna
1614-15 Oil on canvas, 280 x 170 cm
Cathedral, Ravenna
27. The Martyrdom of St Catherine of Alexandria
1606-07 Oil on canvas, 277 x 195 cm
Museo Diocesano, Albenga
28. St Mary Magdalene
1633 Oil on canvas, 234 x 151 cm
Galleria Nazionale d'Arte Antica, Rome
29. St Matthew and the Angel
1635-40 Oil on canvas, 85 x 68 cm
Pinacoteca, Vatican
30. Moses with the Tables of the Law
c. 1624 Oil on canvas, 173 x 134 cm
Galleria Borghese, Rome
31. Moses with the Tables of the Law (detail)
c. 1624 Oil on canvas
Galleria Borghese, Rome
32. Portrait of the Artist's Mother
1612 Oil on canvas, 64 x 55 cm
Pinacoteca Nazionale, Bologna
33. Portrait of an Old Woman
1611-12 Oil on canvas, 34,5 x 28 cm
Pinacoteca Nazionale, Bologna
34. Sts Peter and Paul
Oil on canvas, 197 x 140 cm
Pinacoteca di Brera, Milan
35. Joseph and Potiphar's Wife
c. 1631 Oil on canvas, 227 x 195 cm
Pushkin Museum, Moscow
36. The Rape of Helena
1626-29 Oil on canvas, 253 x 265 cm
Mus饠du Louvre, Paris
37. Reclining Venus with Cupid
c. 1639 Oil on canvas, 136 x 174 cm
Gemäldegalerie, Dresden
38. Salome with the Head of Saint John the Baptist
1639-1640 Oil on canvas
Art Institute of Chicago, Chicago
39. The Triumph of Samson
1611-12 Oil on canvas, 260 x 223 cm
Pinacoteca Nazionale, Bologna
40. Reclining Venus with Cupid
c. 1639 Oil on canvas, 136 x 174 cm
Gemäldegalerie, Dresden
41. St Jerome
c. 1635 Oil on canvas, 278 x 238 cm
Kunsthistorisches Museum, Vienna
42. Susanna and the Elders
c. 1620 Oil on canvas, 113 x 118 cm
City Art Gallery, Auckland
43. The Toilet of Venus
1621-23 Oil on canvas, 282 x 206 cm
National Gallery, London
44. Education of the Virgin
1640-42 Oil on canvas, 146 x 206 cm
The Hermitage, St. Petersburg
45. Detail of The Annunciation
Guido Reni
The Bolognese painter (November 4, 1575 - August 18, 1642)
볼로냐 근교 칼벤차노 출생. 카라치 일가(家)에 의해 볼로냐에 설립된 아카데미
에서 배우고, A.카라치를 따라 로마로 갔다. 로마에서는 M.카라바조의 영향을 받으면서
프레스코 벽화가로서의 두각을 나타내었으며, 팔라초 로스피리오시의 프레스코
《오로라 Aurora》(1613~14)를 비롯한 감미로운 작풍을 보여 제2의 라파엘로라고 불렸다.
풍부한 색채감각과 부드러운 정조가 특색이다. 또한《막달라의 마리아 Penitent
Magdalene》(1635), 《이 사람을 보라 Ecce Homo》(1639) 등의 정열적인 종교화와
《아탈란타와 히포메네스 Atalanta and Hipomenes》(1612)와 같은 이교적 회화를
그려 리드미컬한 색채구성과 세련된 지성주의를 보여주었다. L.카라치가 죽고난 뒤에
귀도 레니는 볼로냐 절충파의 대표적 화가였다.
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